Remember Not To Grip That Lies Below The Mesosphere And Above The Troposphere.

Marcus Ho lds an MFA in Dance and Performance from Arizona State University. His experiments with improvisation and somatic practices date to 1980, and he is active internationally. The School Of Disappearance opened in 2013. Previously, Marcus founded The Slow Training For Embodied Projects and Marcus Vesseur Moves with Wilma Vesseur (Netherlands) from 2007, toward alternatives to stage performance practice. Between 2001-2010 he developed Sensation And Form, a physical approach to dance composition and Technique For A Soft Body, a synthesis of his studies of release techniques and contact improvisation. From 1992-2001 he was adjunct faculty at the Experimental Theatre Wing at NYU/Tish School Of The Arts. TAISHA PAGGETT is a Southern California?based dance artist whose individual and collaborative interdisciplinary works re?articulate and collide certain western choreographic practices with the politics of daily life to interrogate fixed notions of black and queer embodiment and survival. Such works include the Dance Company project, WXPT (we are the paper, we are the trees) and the School for the Movement of the Technicolor People, which have collectively been supported by Clockshop (Los Angeles), the MAP Fund (in conjunction with Los Angeles Contemporary Exhibitions), National Performance Network, Diverseworks (Houston), the Fusebox Festival (Austin) and Institute of Contemporary Art in Philadelphia, amongst other institutions. Most recently as a dancer, paggett has worked with Every House Has a Door, David Roussève/REALITY, Yael Davids, Meg Wolfe and with Ashley Hunt through their ongoing collaboration, "On movement, thought and politics," amongst others. Paggett is an assistant professor of Dance at UC Riverside.

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